NOTE: Please see bottom of main page for submission info. If you're on a cell phone you're probably not going to be able to see it. Bust out the laptop, amigo...
Easy to see why this one made the cut for the New Bizarro Authors Series … it’s bizarro, all right, but it’s bizarro of the more elevated, experimental, avant-garde kind, while also being contemporary and current, with cutting observances on modern issues.
We already have reality shows, gameplay livestreams, and nonstop social media drama on tap 24-7. We can sit back and watch other people play video games, risk their necks in stupid stunts, ruin their love lives. We’ve always had the thrill of sporting events, gladiatorial combat, and larger-than-life celebrities.
Caleb Wilson takes all of those to the next level here, in a world where the entertainment-craving masses eagerly follow every move of their favorites to the point of hardly caring about anything else.
Favorites such as Polymer, the latest darling of the monster-hunting scene. With his shiny white jumpsuit, his sleek hairstyle, his expressionless blue neoprene face, and his deadly rapier, he’s a rockstar among rockstars. No one else can work the synth and destroy the withrons like Polymer. He’s hotter than the latest mutated-potato craze.
His fans will drop everything to follow and watch through the glass as he progresses through Sickleburg Castle. And, when new vents open between there and the outside world, his fans are pulled further into the adventure than ever before.
Like much of the genre, the more you try to logic and reason the setting, the less it works … but you don’t have to, and if you just roll with it, then the magic happens. It doesn’t need detailed explanations of the tech and such. It just IS, and what it is, is a whole lot of fast-moving fun.
I went into this one somehow not having realized it was the second in a series (of which I’d also somehow missed the first!) but that quickly became very apparent as I read. Despite it being clear I was stepping into an ongoing story mid-stream, the characters were presented well enough to allow for mental filling-in of the blanks.
Scientist Pandora “Penny” Yee does some independent contract work for the local police, which lands her in the middle of some peculiar cases. Like this one, with bog bodies and mysterious tattoos and links to possible cults.
Given her life already has its peculiar aspects, mostly courtesy of her brother Matiu and his connections to underworldly and otherworldly elements, Penny’s pretty used to taking things in stride. Well, most things. She’s still at a loss whenever her parents are involved, especially when her parents are involved trying to play matchmaker at her. Or her erratic aunt goes off the rails in a family emergency.
Or Matiu, who’s got his own inexplicable events unfolding on the side, continues NOT TELLING HER STUFF. That was my biggest problem with the book (aside from the title never quite clicking for me for some reason), and it was purely interpersonal. A whole lot of trouble could’ve been avoided if they just TALKED. Kinda made me want to smack them both.
A fun read, but I recommend starting at the beginning if you can. Not necessary, but probably makes for a more satisfying experience overall. (important note, btw: it’s near-future, 2040s; took me a while to catch on. The first time I spotted a reference to the date, I thought it must be a typo; oops! my bad).
100 WORD HORRORS: PART 2 edited by Kevin J. Kennedy (2019 KJK Publishing / 138 pp / trade paperback & eBook)
Alright, folks! Step right up, read all about it. That is, if we’re talking about some of those little one-hundred-word long pieces of violent and macabre flash fiction called drabbles. That’s right, boys and girls. The first book of drabbles did so well it came back for round two and I’m not going to lie ... I’m drabbling a little bit out the side of my mouth right now, as I’m staring at that beautiful, sexy vintage horror paperback cover from yesteryear. The only difference in the concept of this anthology from the first one is this was invite-only, and I have to admit the lineup here is nothing short of admirable. I also found myself enjoying this installment much more than the first because I found it to be more fun and versatile overall, as well as a bit more violent and gruesome. From violent murder to exquisite mayhem, tough love and tragic tragedies, erotic sex and well also some not so erotic corpse sex, money, power, and fame this book of drabbles is sure to leave you wanting more, gasping for air from within your own grave, and the drabbles within are powerful enough to leave a blood-lasting imprint on the top of your mind for some time to come and then some.
Some of my personal favorites were 'On the Second Date' by Mark Cassell, 'The Rash' by Justin Boote, 'Snow Angel' by Michael A. Arnzen, 'Instant Messaging' by Billy S. Juan, 'Haunted' by Amy Cross, 'Out of Tune' by Chad Lutzke, 'Just Like Your Grandma' by Pippa Bailey, 'My Pet Unicor'n by Sarina Dorie, and 'Laid to Rest' by Derek Shupert.
-Jon R. Meyers
THE PROSTITUTE'S PRICE by Alan M. Clark (2018 IFD Publishing / 244 pp / trade paperback, eBook, & audiobook)
Alan M. Clark’s beautifully bleak, haunting series about the victims of Jack the Ripper does something different in that it doesn’t focus on the killings or killer at all. The focus here is the women themselves, their stories and histories, their real lives, and what led those lives to the point where they crossed the maniac’s path to reach an untimely end.
And this one does something even more different; it’s got a companion piece, a book called THE ASSASSIN'S COIN by John Linwood Grant. I’ve not yet read that one, but I very much need and want to. They go together, facets of the same darkly fascinating historical jewel, presenting events from differing perspectives.
On this side of the story, we have Mary Jane Kelly, believed to be the Ripper’s final victim. Mary Jane Kelly, who also helped her sisters of the streets look out for each other, who became involved with some illicit activities, and who made the acquaintance of an ordinary-seeming but very dangerous man. He comes across almost as some sort of Victorian vigilante, putting the information Mary gathers for him to use.
It’s Mary Jane’s story, though, all the way from her struggling childhood and short-lived marriage through her introduction into her new trade and its rises and falls. It’s Mary Jane’s life, the friends and rivals she makes, the romances she doesn’t think she deserves. It isn’t about the terrible, bloody conclusion. It’s about the real person, and the tragedy of a desperate life.
Clark writes historical well, he writes women well, he does an excellent job capturing the atmosphere of the times and the emotions of the characters. Really good stuff, tragic but beautifully done.
THE ASSASSIN'S COIN by John Linwood Grant (2018 IFD Publishing / 280 pp / trade paperback, eBook, & audiobook)
This one is the companion piece to Alan M. Clark’s most recent (and excellent) THE PROSTITUTE'S PRICE. Separately, they each weave compelling tales of life and death in 1880s Whitechapel. Together, they make a full, rich, complex story set against the backdrop of the Jack the Ripper killings but not focused on the Ripper himself.
Other people, other lives, are center stage here. While Clark’s books involve the often-tragic pasts of the victims, Grant’s protagonist is a struggling working woman of another sort. Catherine Weatherhead, estranged from her domineering father, makes her way as a practicing spiritualist.
Calling herself Madame Rostov, she isn’t into the table-rapping or ectoplasmic manifestations or channeling spirit guides, like many of her professional peers. Unlike them, however, she isn’t a total fraud. While she does rely on information and psychology, she also has a modest but legitimate psychic gift.
Modest, until she telepathically taps into the mind of a killer … not the infamous Jack, but another mystery man who also appears in Clark’s book. The Deptford Assassin, Whitechapel’s own anti-hero, is like an uneasy cross between Dexter and Daredevil, part vigilante, part killer-for-hire.
This connection is a serious distraction to her regular work, most of which involves doing sittings with grieving widows or young ladies curious about what lies Beyond the Veil. It then leads Catherine into an encounter with the assassin himself, and almost before she knows it, she’s engaged his services to help right an injustice.
From there, she continues bearing clairvoyant witness to his deeds, including his developing interest once the Ripper killings begin. That a cousin of Catherine’s is among the victims only leads to the logical next step – if it takes a thief to catch a thief, maybe it takes a killer to catch a killer.
Compelling on its own, totally enthralling when paired with its other half, great characters, great writing, excellent story, well done!
DEVOURING DARK by Alan Baxter (2018 Grey Matter Press / 320 pp / trade paperback & eBook)
Maybe it was because I’d recently finished binge-watching THE PUNISHER, but wow did this book make me think the Netflix people should get right on it right quick! Had all the elements for a perfect series in that format and style, only, set in London instead of New York.
Matt MacLeod is anything but a hero. He’s just a loner, trying to get by, living with a guilty secret and a terrible dark power. Although using it takes a toll on his health, letting the darkness build up is also dangerous. He tries to deal with this by, vigilante-like, only going after the worst of the worst, and so far has managed to not leave too many incriminating bodies in his wake.
One night, though, he’s spotted by a kid who works as a runner for local crime boss Vince Stratton, and Stratton is all too eager to add a new weapon to his arsenal. Matt has to play along if he’s going to protect his estranged family and friends. In the course of trying to find a way to fight back, he encounters a young woman with a similar ability.
Amy Cavendish, a hospice nurse, sees her darkness more as a gift. She’s far from the ‘angel of death’ type, easing the passing of her patients and then using what she collects from them to dispense retribution her own way. Soon, Matt and Amy are in a desperate rush to stay a step ahead of Stratton’s schemes, as Matt’s power nears its limits and Amy’s threatens to spiral out of control.
The characters are fantastic and fun, great evil-but-enjoyable villainy, excellent and compelling side characters, excellently believable supporting cast. The action moves right along, shifting angles from good guys to bad guys to police investigation. I read the whole thing in a single night, which only further proves my initial point: this story here is made for bingeing!